ACHARYA – A compelling lifestory of living legend
Lucky is the man who knows what he wants and devotes his whole life for that single purpose. And very few people in this world are very fortunate to live their lives as per their aspirations . Maestro in devotional songs aka ‘bhajan shiromani’ Bhakta Raj Acharya falls in the category of such very few men although his life as we see doesn’t seem to be bed of roses. “Acharya” venturing to give a fresh and different fragrance to the staleness of old and the same spinning loom of “romeo and Juliet” film making trendz , it is probably the first Nepali film based on the life of living legend like Bhakta Raj Acharya.
This is the recent movie after “Pal” which has added an ineradicable hue in Kollywood ( at least I have the right to be subjective!!) . Films can be misleading and many times exaggeration as in the disclaimer’s note of most films we see the pleading claim saying “ the film is the work of pure fiction. Any resemblance to anybody’s lives are purely co-incidental’. What it implies is what we watch is somebody’s projection into the situation and may be sometimes the accomplishment of repressed wishes, unfulfilled desires and utopian optimism that wud be like next to impossible in real life. The happy endings as pictured in most of the films do not necessarily reflect the mystiques of life. And life as we know is not always the happy ending. So it is more assuring to watch the the factual events like a lifestory of some person than the truth extrapolating from someone’s belief and conception.
The journey starts from the fragile point of poverty, deprivation and loss. But in the mind of little bhakte the addicting fumes of music is steeling the passion to be a great musician . Then his whole life becomes the ups and downs keynotes of music. Sometimes it pitches high with hopes, success , happy moments and accomplishment but then it is weighed down by the heavy note of poverty, hopelessness and irreversible turning in the life.
The filmstory can be seen in different perspectives. Talking about the background of the story, it looms around in the abject poverty. It shows the poverty and helplessness of the most Nepalese people. The main compelling theme of the story is the aspiration of Bhakta Raj and his unflinching attachment and determination towards it. What audiences can get sense after watching the film is that a man with true passion can always be in the lead no matter what situations one has to go through . May be there is not much money in the Nepalese music industry which can be clearly inferred from the constant, not- leaving decrepit condition of Bhakta Raj Acharya. But his life goes on sailing with the satisfaction he gets from his passion. Life is a full of bitter ironies and the one sudden irony becomes the irreversible turning point of Bhakta Raj’s life. When he is in the peak of his fame and success, Bhakta Raj , after the unpleasant incident ,gets the tongue cancer. Then his whole career comes to sudden halt when his tongue has to be cut . The loose ends of the threads of life gets quickly unfastened. The momentary dream he had then becomes the pinching thorns of reminder of his futile existence .The another notable thing in the story is the support and unwavering attachment one should have to drag the life amidst the pitch darkness of hopelessness . When Bhakta Raj Acharya thinks of ending his life himself , it is his wife who gives him the hope and reason to live. May be the providence of a human life is very dramatic than one can possibly think of. The legacy of such legendary figure as Bhakta Raj Acharya is now in it’s momentary gleam (though he cannot sing himself )as his duo sons , Satya and Swaroop Raj Acharya have dragged their father’s name establishing their own names in the Nepali Music Industry. They have been very blessed sons for him as if they have been sent by the god to continue on his unfinished and incomplete passion.
The film has been a milestone in terms of it’s technical aspect. The film is very lively and riveting as usual dialogue problems in Nepali films can’t be found in this picture. There is no phoniness, irrelevant sequences and scenes and impossible heroism and turn-out of events. Even there are no superstars or big personas. The lead role of Bhakta Raj Acharya is played by his eldest son Satya Raj Acharya rightfully and very professionally. It proves that he’s not only a good singer but also a good actor. It’s a simple story and the story-telling of film is highly appreciable.
Not only the Nepali music fans but who wants Nepali films to be in the comparable position of Hollywood and Bollywood should grab the tickets and get submerged in the film. Well I can’t take a guarantee for others, but after seeing this film my interest to the Nepali Sugam Music has been greatly stirred. Why only talk about others films only and be pretentious of being a smart ass (oh!!forgive my language) !! let’s be proud to talk about our own films also and be a true Nepali.
( i haven’t included the negative points about film cause the in my opinion there are only some negligible loopholes when included wudn’t account the relevancy and the good taste. your contradictory view on that matter will be highly appreciated )